Interview: Robert Pattinson, David Cronenberg and Don Delillo Talk ‘Cosmopolis'

Interview with Robert Pattinson:

Were you already familiar with the novel by Don DeLillo?No. But I had read some of his other books. I first read the script sent to me by David Cronenberg and only after the novel. The script is so faithful to the book that seems almost incredible, especially considering that Cosmopolis was deemed impossible to adapt. Even before reading DeLillo’s work, I was struck by the pace of the screenplay was agitated and the relentless tension.

What was it about this film that has attracted your attention?Cronenberg, without a doubt! I shot a few films and I could not imagine how it would work with him. I was not disappointed … I knew he would play with his creativity and that this experience would have scored. I left the script involving the same way you can be fascinated by a long poem, a poem very mysterious. Usually, when you read a script, you quickly understand what it’s about, where it will go and how it will end, although there are unexpected twists and sophisticated solutions that address the course of history. With the script of Cosmopolis, however, was completely different: the more I read and I could not understand how it would be more evolved and pushed me to think of wanting to be part of the film. Would not it be like shooting a movie any, but a separate and unique opportunity.

The first time he read the script we have seen in the role, you imagined how it would be?Not at all. The first time I spoke with David I have explained that I could not prefigurami nothing and he reassured me that was a good sign. Since then, I have asked many questions and I left all the text to evolve in a progressive and organic, in transforming visual choices that would form the film. It was a living process, although during the first week of filming we were all still wondering which way he took everything once finished shooting. Everything was very charming, it was as if the film was modeled step by step.

Now it is ready, the film is very different from the script or, conversely, has stuck to what was on paper?Hard to say, the film moves on several levels. I’ve seen it twice so far. The first I was amazed by its farcical side: while touring knew what they were seeing on the screen but the tone was alienating. The second time, however, has taken over the weight of what they had been involved. It has been two private screenings to test the reception of the public, whose reactions were varied and wide ranging, from smiles to the tension. Despite its complexity, I was amazed at how Cosmopolis was able to cause such a wide range of emotions.

Read more on Rob's interview and interviews with David Cronenberg and Don DeLillo here at Cosmopolis Film.

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